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The Sweetest Sounds - Arthur Fiedler, Boston Pops* - Reverie (Music In A Reflective Mood)

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7 thoughts on “ The Sweetest Sounds - Arthur Fiedler, Boston Pops* - Reverie (Music In A Reflective Mood)

  1. May 26,  · Arthur Fiedler and the Boston Pops Orchestra (Deutsche Grammophon, ) This is the fourth volume in the 2-CD sets in the Arthur Fiedler Legacy Series and the one most likely to appeal to JIM readers.2/5(1).
  2. Although the timings of both performances are similar, the LPO version sounds more reflective, perhaps marking Furtwängler’s reaction to traditional English string sound. The Berliners offer more fire power than the LPO, and their reading under Furtwängler not surprisingly sounds more extroverted.
  3. () Best example of a composer who worked successfully within the aristocratic patronage system. Wrote music for 30 years to the prince of Esterhazy in Austria. Was known for mixing different styles of music together. symphonies, 35 concertos, 82 string quartets, 60 sonatas for solo piano.
  4. Term applied to music of the nineteenth century. Romantic music had looser and more extended FORMS, greater experimentation with HARMONY and TEXTURE, richly expressive and memorable MELODIES, improved musical instruments, an interest in musical NATIONALISM, and a view of music as a moral force, in which there was a link between the artists' inner lives and the world around them.
  5. A descendant of the royal family of Madagascar, Andy Razaf's lyrics were certainly high class. He was involved with many of the biggest hit songs and shows in early American popular music, either as the Read Full Biography. Biography ↓ Songs ↓ Credits ↓ Related ↓.
  6. Earl Wild, Boston Pops Orchestra, Arthur Fiedler (RCA, ; ) Gershwin never wrote another large-scale instrumental work although, according to his sister Frances, before his untimely death (of a brain tumor at age 38) he felt he had only scratched the surface of what he planned to do, including a symphony and string quartets.
  7. Sep 21,  · Perhaps one does not turn to an Arthur Fielder recording for the ultimate in subtlety, because now and then he has the Boston Pops "lay it on with a trowel." Witness for example the opening piece on the RCA Victor reissue ()/5(5).

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